ROCKWiRED RADiO PROFiLES PRESENTS:
THE HAUNTiNG SOUND OF THE BLACK HEART PROCESSiON
AND THEiR LATEST RELEASE SiX
DECEMBER 19, 2011 - Formed in late 1997 in San Diego, THE BLACK HEART PROCESSION have been described as beautifully bleak and brooding indie rock with a dark side. Lyrically touching on the melancholy side of human nature, the five-piece band is appropriately named given its themes of isolation, depression, and heartache. The core members of PALL JENKINS and TOBIAS NATHANIEL (THREE MILE PILOT) also collaborate on-stage and in the studio with various musicians whose instruments include guitar, piano, percussion, and even saw. This uniqueness led to a 1998 record deal with CARGO RECORDS, which released their first album, 1. THE BLACK HEART PROCESSION then toured the United States and Europe with A Minor Forest, and the group's follow-up, 2, was released through TOUCH & GO RECORDS in 1999. The final piece to the trilogy, 3, arrived in 2000. JOE PLUMMER (THE MAGIC MAGICIAN, MODEST MOUSE) and violinist MATT RESOVICH (THE ALBUM LEAF) were added to THE BLACK HEART PROCESSION lineup for the recording of the group's fourth effort, 2002's AMORE DEL TROPICO. This cinematic songbook of love and deception was an exploration of lounge and blues, making it an epic set for the band. Two years later, THE BLACK HEART PROCESSION scaled back their usual sinister presentation for In the Fishtank, Vol. 11, a co-release with Dutch prog rockers SOLBAKKEN for KONKURRENT's celebrated album series. Bassist JIMMY LAVALLE, who also plays with THE ALBUM LEAF joined in 2005; the dramatic, torrid love affair that is THE SPELL followed in May 2006. The haunting set was recorded and produced at THE BLACK HEART PROCESSION's own SDRL studio in their hometown of San Diego. The band's latest release SIX is without a doubt the group's most emotionally resonant album since Three. Brimming with pitch-black ballads of discarded loves and forgotten souls, the album paints a bleak yet strangely comforting portrait of heartbreak, self-destruction and religious allegory over some of their most inspired songs to date, drawing a clear line from here to soul-stirring visionaries such as LEONARD COHEN, JOHNNY CASH and TOM WAITS.
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