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ROCKWiRED iNTERViEWS XiREN

ROCK N ROLL REVENGE
XiREN TALKS TO ROCKWiRED
ABOUT HiS LATEST CD 'TRiP-R'
A CHAOTiC TOUR OF iNDiA AND THE STATES
AND GROWiNG FROM THE EXPERiENCE
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iNTERViEWED BY BRiAN LUSH

Back in 2005, XIREN was one of the first people I interviewed for ROCKWIRED and time has certainly changed a lot of things. I no longer nervously cling to that list of questions when interviewing people over the phone, and well, XIREN's hair is considerably longer. If anything, I had him to thank for my now cavalier attitude with regard to interviewing folks. Four years ago, XIREN released the immaculately produced E.P. 'THERAPY FOR HEROES' issuing such ENO-styled elegies such as 'INVISIBLE HERO' (at one time, a contender for a placement on an abandoned SUPERMAN soundtrack) and the stunning 'I NEED YOU TONIGHT'. Now, he is back with a full length L.P. 'TRIP-R' and this time, XIREN truly get's his BONO on with top grade stadium rockers (the title track and ‘BURN YOUR LOVE DOWN'), 'ZOOROPA'-styled pop tunes ( 'JESUS WAS AN ALIEN' and 'SOMETHING MORE') and  unavoidable singer-songwriter sensitivity ('I'M HERE' and 'JUST LIKE RAIN'). One standout track - 'GRACE' - opens with a haunting vocal arrangement that will definitely have one thinking they are listening to some lost QUEEN recording. In speaking with XIREN again, the road to completing his latest opus was indeed rocky. Worked on and recorded during a hellacious tour of India and during a U.S. tour that ended abruptly following a tour bus accident, the resulting album, according to XIREN, seems to have been molded by the experiences; as was he. "It's got the retribution." says XIREN of 'TRIP-R' " It's got the retribution. It's got the upset. It's got the complexity and then it turns around at the end and becomes introspective, mellow and graceful. I put it together as a “record”. People don't do records anymore. All they do is write a bunch of songs - this was meant to be a record. It wasn't meant to be a concept record but the songs have a sincere and coherent flow. People that are still listening to records these days are really appreciating it and that's huge. That is all I ever wanted."

ROCKWIRED got in the phone with XIREN, which for him, was a surprise interview. Here is how it went.

It sounds as if 'TRIP-R' was conceived in chaos. Would you like to talk about that a little bit?
Well, I suppose on one hand that it wasn't so much that it was anymore chaos than normal life - except that it was. It was a rocky road. I didn't stop life the way a lot of my favorite acts do when they make music. When some people make music, they hibernate. Just like that U2 record that is coming out where they have photographs of themselves in this immaculate studio. I'm sure interns had set every element of that studio up. I'm sure that BONO never once had to adjust his music stand. I'm sure the whole making of that record was like this big retreat in Morocco. I, on the other hand made this record as I was going through life. I brought the album with me on the tour I did in India. I was tracking things in the hotel room as I was on the road. This record lived with me. That's what happened. I had most of it done. Most of the album was written at the beginning of 2008 and then I went to India where it got refined and then we went on the road in the U.S when the bus crashed and I brought it on the road with me. It was getting worked on, polished, and completed through life. You know what I mean? I didn't sit down and pause. That was all I meant about it being in the midst of chaos. It was really a work that was done on a transcontinental basis.

Why the name?
'TRIP-R' is the name of the first track and I had a conversation with my musical partner BEN JANSEN who does a lot of last minute tweaking and turning of the bolts so that the music has more of a clean and professional element to it. I was thinking about naming the album 'THE MACHINERY OF HOPE' which obviously harkened a little too closely to the OBAMA book. It really isn't a political record. Then one day, BEN called me up and said 'Hey, asshole! This is actually a revenge record! Why don't you name it appropriately?' The 'TRIP-R' stands for 'triple “R”' as in 'rock n roll revenge'. This is a record of the transition from animosity to peace. So I named it after what most of the record is about. There was a line from the biographical note that BONO put in 'U2 BY U2' book that came out a few years ago where he said that no one in Ireland encouraged him to do music when he grew up, so he figured the best revenge for him would be to do it really, really well. And that’s what this is. This is peaceful, creative revenge.

Describe that tour of India?
In a word?

Let's start with a word or two and if I want to pursue it anymore, I will.
In two words, I would say 'unconscionable hell'. It was a flop and a disaster. It was basically a con artist who continues to try and recruit bands to go to India on the premise of doing a 20 city tour through. Basically what happened was there was no tour. He even pretended to be multiple people so as to garnish the illusion of credibility. There was no tour. We all arrived in India, and when I say 'we', I mean me, my backing band from New Zealand and ten other musicians from around the planet. All of us arrived under the false pretense that there was an organized tour that we had signed on to where we would go to 20 cities on a tour bus playing all of these great shows. He did a snow job on us by giving us a little bit of the glory upfront; In the first week, he had us doing a couple of press conferences. It is exactly how you would picture it, where we are in a room with a bunch of journalists and photographers and we're sitting behind a table with a big banner for the tour behind us with our pictures on it. This guy that was on the tour named OLIVER SEAN was the mastermind con artist that pretended to be all of these different people in the entity. After the press conference, we would get daily updates from our hotel room that were basically pieces of paper that were shoved under the door telling us “tomorrow's show was cancelled”. We would keep getting messages like that every day. I was there for almost an entire month and I played one fucking show!

My God!

My backing band paid $15K to get there. It was a huge scam. We were told that if we paid the travel expenses that everything else would be covered when we hit the ground. He's continued to expand his reach to try to recruit musicians so I'm very happy to put this out in print somewhere whether it's published or on the web. He's just a son of a bitch! I've never met anyone who actually deserved that name. There is also word on the street that he might move to L.A. at some point.

With the rest of the sharks and this place is full of them.

And it would be the perfect place. It would be a very interesting day if I ever met him on American soil. I'd say I'm a very peaceful and forgiving person, but that would be an interesting day. Anyway, he's continued his reach to try to recruit musicians so much so that he has contacted the band that I toured with over the summer when we had the bus crash. He’s also contacted two of the bands that my lawyer works with in Denver and has even contacted some of the artists that he's accusing of having left the tour. He's actually re-contacted them and has said 'Hey, we think you'd be a big hit over here!' He's trying get people to pay twenty bucks to sign up to be considered. He's got international reach. If he's contacted five or six bands that I know just in the U.S., then who knows how many bands totaled that this guy is scamming? Just two weeks ago, when I was flying back from L.A. to Denver, I got an e-mail from a friend of mine that had found a web posting that OLIVER SEAN had put on YOUTUBE where he is trying to retaliate and discredit all of the bands. He's accusing us of being frauds and says that we are con artists posing as musicians. He launched a fake lawsuit against us because bands contacted us as referrals that he had listed and when they would ask, we would be like 'We are happy to tell ya! Here is how it went!' So he's retaliating because they are telling him that 'Hey, I just heard from XIREN that this thing is big joke and that it's a waste of time'. He basically scammed all of these artists for six weeks of their time, thousands of dollars in travel and logistics and it all benefitted him in the form of great local Indian PR. He got to say that he was this great guy bringing bands from all over the world to India. So anyhow, he has started launching YOUTUBE videos saying that he's trying to locate us and that if anyone has information on our whereabouts he intends to sue us. None of it is true. There is no lawsuit and none of us have changed our information in attempt to hide from him. As a matter of fact, some of the members of these bands have posted back saying 'Hey, we're still here in New Zealand! Come get us motherfucker!'

I've got a title for the interview now!

So when you said 'conceived in chaos', you're starting to see a little bit of it now, aren't you?

Yes, yes I am.
You know there is a special place in hell for people who fuck with artists. It's not like we came into this world prepared to make a great living or be the elite. So anyhow, we've had him shut down from SONICBIDS and we're working on getting him shutdown from PAYPAL and we're trying to find other ways of making sure that he doesn't do this to other artists. It's not that any of us are particularly mean-spirited or even looking for a lot of retribution. None of us want to waste any more time with this. It is just that he has continued to scam artists and we want to make sure that it never happens again to another artist. I left India in the middle of the night sleep deprived, hallucinating on malaria drugs, malnourished and with no money. All of my credit cards had disappeared. This guy didn't coordinate any of our transportation or pickups from the airport or any of that. We had to make our own way in a third world country that I remind you has the plague. It's not like we're going into friendly Western Europe. We're going into a country where there are language barriers

& con artists at the airport. But I have to say that all of us from the tour have become really good friends. I think because of the catastrophe, we bonded better. We all had each others backs out there. My Japanese friend on the tour,SPARKY, lost all of his travel money as soon as he hit the airport! No one was there to pick any of us up at the airport and we're all carrying two tons of musical equipment - turn your back for one second and somebody has made off with your stuff. So they took his bag and all of his money. I had credit cards disappear. The only reason I made it home with my gear was because there was literally an angel at the airport. There was a guy at the baggage line who shut down the line at the last minute to help me.  as I had no money or credit cards and the flight was leaving in forty minutes. It was a $400 charge to get my guitars and gear back to the US and he paid everyone out of his own wallet to get me and my stuff on the flight, so pretty cool!

You got back to the U.S. and there was an incident with the tour bus.

We had worked about seven to nine months on this U.S tour. We had a great booking agent down in Hollywood, Florida and we were organizing and working on sponsorship to make the tour, green. The day before the bus crash  we had converted the bus to veggie diesel we were cut off in traffic causing a catastrophic accident losing or damaging much of our gear and causing a death. That pretty much stopped everything. But here is what I have to say about all of that. I don't feel victimized by any of it, if that makes sense. I feel like I grew up in a lot of ways and I'm very proud of how everyone in India - meaning all of the other bands that I was with - I was very proud about how myself and all of the other bands handled India. I'm proud how all of the band members on the bus handled all of that stuff. People were really gracious, graceful and thoughtful. On one hand, I'm not proud that someone was hurt but other than that, I really don't take back anything this year. I think it carved me out of wood a little differently and I had to grow up.

And you've got a great CD.
Thank you! I think I've got an excellent CD. I really do. I think it's the best CD that I've ever released as a full album, for sure. It's got all of that energy in it. It's got the retribution. It's got the upset. It's got the complexity and then it turns around at the end and becomes introspective, mellow and graceful. I put it together as a record. People don't do “records” anymore. All they do is write a bunch of songs - this was meant to be a record. It wasn't meant to be a concept record but the songs have a sincere and coherent flow. So yeah, I think people that are still listening to records these days are really appreciating it and that's huge. That is all I ever wanted.

Well you and BEN JANSEN have been music partners since the beginning. Describe the relationship.

I can almost picture that if he were on the phone, he would have a quip and compare us to something like BONNIE AND CLYDE or who knows what.

You'd have to be BONNIE because of the hair.

I am definitely BONNIE!

I'm kidding!

I don't have a good quip, but I would say it’s like I wield this giant blunt instrument; I sit there doing most of the work, the writing and the crafting then I bring him in for what the external world would see as the last couple percent in a lot of ways. In terms of hours, his participation on this record was probably in the range of less than ten percent, but here is the thing: He sharpens it. This blunt instrument that I wield, he absolutely refines and makes it plausible. It is so interesting because if I were to ever let you hear the evolution of the record, it is not a small thing that happens in the last ten percent of production, it's everything. It's the difference between having a really interesting concept and having a credible commercial record. I rest on BEN's genius in a lot of ways. I think he's a relatively untapped giant. He and I have really tried to refine our relationship in the same way that U2 and BRIAN ENO might work together to challenge each other.  BEN is not that easily impressed and that is a fun thing to be around because he is one of those few people that doesn't think that everything I do smells like perfume. So, I really want to impress him in a weird way. I look up to him.

What songs stick out for you the most and why?

That's a great question? What sticks out the most for you?

'I'M HERE' is a good one.
Nice! So far, it has sold more copies than anything else I have done up to this point and I haven't even started any of the radio promotion or any of that stuff but the strange thing is that “industry experts” all chose different songs when I ask which song to start promoting as the single. When radio has called asking for “the single”, I have to ask what their format is. If it's AAA Rock then I give them the first couple of songs. If it's progressive or singer-songwriter stuff, I go towards the end of the record. If it's dance music then I go to the middle of the record for the pop stuff.  It's really interesting because there’s been no consensus. There is very little overlap with peoples favorites. I've had a hard time choosing which ones are my favorite children.

That's funny! My parents did that easily all of the time.

Yeah, therapy is expensive! At different times, they've all been my favorite and I've got be honest. I enjoy all of them. This was one of the first where I started putting Valentine songs on the record.

Valentine songs?

I've been with the same woman for twelve years and every year I would write a song for her on Valentines Day. This March it will be twelve years and we just got married in Augustthe month after the bus crash. It wasn't in the cards for us to necessarily get married. We knew we'd be together forever and then we decided that we really wanted some of the benefits. Every year that we've been together on Valentines morning, I would wake up and write whatever there was in my head. I'd write it all down and have the song ready by lunchtime - recorded and everything. There are three or four songs on this record that are Valentines songs for her, so those songs are charged with a different energy for me than the rest of my stuff. There is something very authentic that happens when I sort of write from my heart once a year when I sit down and craft a song for her as if I was talking to her. JUST LIKE RAIN, INSANE and GRACE are the Valentine songs on the record. But of course 'JESUS WAS AN ALIEN', I wrote for my mother-in-law.

Is she an alien too?

Very likely but she certainly believes that JESUS was. There is a lot of personal content on this record. Not that there wasn't on previous releases, but this is me talking about my family, my love life and that kind of thing. Themes like that haven't quite permeated a record in the past like they have on this one.

I'm looking at the liner notes of the album and I had no idea that QUEEN's 'FLASH GORDON SOUNDTRACK' was your first album. It was one of mine too!
Was it really!

Yes! It was that and PAT BENATAR's 'CRIMES OF PASSION'.

I think you and I were raised on the same kind of music. That is a great example of my musical relationship with BEN JANSEN. There are those people in the world that absolutely get you and they see through anything. In addition to being musically empowering and a brilliant contributor, he is one of those people that truly get me and when we were working on 'JESUS WAS AN ALIEN', I wanted this thing to happen to where the song would be played sort of like  'duh/duh/duh/duh/duh/duh/duh', and that was when BEN sang ”FLASH!/AH-AHHHHH!” Which then caused me to mention that the FLASH GORDON SOUNDTRACK was my first album and he confidently said 'Dude! I totally understand you musically!' All of my records have this epic quality and these massive vocal overdubs and I could never pin it down as to where it came from. It wasn't like some modern U2 or STING influence. In one second, BEN saw it all. I think we laughed about it for a good half hour. So there is a little anecdote for you.

Were there any songs on this album that were challenging in any way?

There were songs that had an awkward birth. Some of them had a wide birth and they just came right out. For 'JESUS WAS AN ALIEN', I went in a lot of different directions. It started as an acoustic song that I did on a Christmas record for my family a few years ago and it went through the mill a little bit before it arrived to the place where it is now. 'BURN YOUR LOVE DOWN' was definitely a painful birth, but the king of horrible birthing was 'BIG ENOUGH'. I've got about six different production directions for that song. That song could not find its voice. Again, it was a song that started on either acoustic guitar or piano with very simple melodies and in production, there were so many different versions of it made. 'BIG ENOUGH' was a struggle. That one did not want to happen, but when they are done, they sound done. The only other song that was this hard to produce from my catalog was 'BUTTERFLIES' from the album 'POLITE CONVERSATION'. That was the one that was in the VOLKSWAGEN commercial.

Talk about the hair?

The hair?

Yes. Not mine, yours.

It's like the CHIA hair.

It's the ultimate hair! You're my only friend that is truly a rock god!

You can tell what order my albums are in by the length of my hair. In 2000, it was short and spiky and then in 'POLITE CONVERSATION' it was a bit longer. So I guess you could say that my hair is for cataloging purposes. The Dewey decimal system is waaay outdated.

What do you want a person to come away with after they've heard this album?

I've always wanted to affect a person the way I have been affected by music which is to say that if it changes the temperature of the room one way or another, that is cool. If it causes someone to feel inspired, that's great too! I know artists who work in other mediums who say they love working to my music. I really think there is a group of people that are being left behind by popular music and no one has the time to go out and discover all of these internet radio stations that play new bands while most of the major labels are making everybody sound exactly like everyone else on their label. When BRUCE SPRINGSTEEN inducted U2 into the HALL OF FAME, he said something really great. He said that this was the last band that he would ever know all of the names of the members. If you turn on rock radio, all of the bands might as well be the same. There is a similar production quality and a similar guitar tone and a similar style. It is so compressed these days and I don't get a sense that any of them really has a lasting quality. It appears that they had a really great hit and hopefully they will have a second record that will follow it up but the record company was never counting on a long term future. They’re counting on one hit. I want to create a personality and let someone feel like they're getting real music; the same stuff you grew up on. It's the same stuff that I grew up on. It's this music that has guts and soul and depth and inertia…

…and spandex!
Spandex. Exactly. Just for you BRIAN!