et's face
it. THe LP is a dying art in an age where attention spans are limited
to memes, tweets and two-minute STAR WARS trailers. And lets not even
bring up the roll out for an LP. These days, you've got to make a
massive impression with a single and a music video and goth rock siren
MILITIA VOX has done so with her latest offering NYCTOPHILIA, a dark
exploration into the human psyche and it's ability to haunt the streets
late at night. Thematically, the moody single recalls the creepy,
crawly theatricality of ALICE COOPER's WELCOME TO MY NIGHTMARE and the
showmanship and hellbent delivery of SIOUXSIE SIOUX of SIOUXSIE AND THE
BANSHEES. Both the single and video have earned the woman raves from
such sites as AFROPUNK.COM and have proven that the singer - famed for
her vocal prowess for the JUDAS PRIEST tribute band JUDAS PRIEST - has
a delivery and an artistry that is all her own.
Despite the shaky ground that the LP is on as an artistic medium, VOX
is not giving up the ghost just yet. Her forthcoming album THE
VILLAINESS has been in the works for a couple of years now. ROCKWIRED
was first made aware of it when we profiled VOX back in late 2015, when
she released her EP THE BAIT - a collection of moody, metal drenched
covers. On that EP, her rendition of TINA TURNER's WE DON'T NEED NOTHER
HERO demonstrated a battle readiness that matched the tone of
the MAD MAX movie that the sublime original tune was plucked from. THE
VILLAINESS will feature all original songs and NYCTOPHILIA is just a
taste of things to come. VOX is rolling this baby out just right. It
doesn't sound like we're gonna have another CHINESE DEMOCRACY on our
hands.
ROCKWIRED had a chance to speak with MILITIA VOX regarding the new
single and her plans for the roll out of THE VILLAINESS. Here is how
the interview went.
NYCTOPHILIA is quite a surprise
and I love the music video. How did it all come together and who did
you work with in putting the video together? It was
based off of an
idea I had. I wanted to convey the idea of how people's energy can
linger in placs, like hauntings. I'm a bit of an insomniac and I tend
to wander the streets of the area I'm in, late at night. I live in New
York City - the City That Never Sleeps, and I like to take a lot of
late night walks and with this song I wanted to capture the idea of my
energy lingering on certain streets. What if you could see that energy
represented on film. I have a guy who shoots all of my stuff and of all
of the clients he works with, he says that working with me is a unique
situation. He never knows what he's going to shoot until he gets there.
All I tell him is when and where we're going to shoot and to bring his
camera and his tripod and that's it. That is all he knows when he walks
in.
STORY
WiLL CONTiNUE FOLLOWiNG
THE ADVERTiSEMENT BELOW
You've
been getting a lot of positive notices for this single and the video.
What are your thoughts on the reaction to it.
It's cool! People are enjoying it. I love video as a
medium just because I'm a visual person. I think most people prefer to
see things and because of that, the visual medium is a very powerful
medium. Sometimes, moreso than audio. For most people, visual is
stronger than audio for whatever reason. I am enjoying directing this
stuff onto video. I direct all of my own videos. I create all of it as
far as content and visuals and the storyboarding. It's exciting to be
able to further tell the story of a song.
CHECK
OUT THE MUSiC ViDEO FOR NYCTOPHiLiA!!!
Now
is this single a standalone effort or is this single preceding a new
album?
Interestingly,
NYCTOPHILIA was just supposed to be an album cut. That was the original
intention, but I liked it way too much and everyone who listened to it
liked it too much. So I said "Fuck it! I'll release it!" So
this
song is leading up to the release of the full length album. Part of the
reason that I'm building it up this way is because I come from the post
Generation X, pre-millenial generation that has fallen into this gap
that still reads and appreciates books and still listens to albums. But
this millennial generation doesn' thave the attention span for an album
anymore. If you're making an album you better have a damn good reason
to be making one, like if you're signed to a label where they expect
you to have an album out. I'm not signed. I have taken great pride in
not
being signed for a while now. I value my freedom. I don't like
explaining myself to labels and things like that. I'm trying to build
momentum and do some shows and release some songs before the record
comes out. I'm going to release the record, but I just don't
think
that people have the attention span to take it all in just yet. The
record is in the can. I am one full length album and 2 EPs in, as far
as
my recording goes. I'm sitting on music that's not released yet and I
feel that it's too much of an overload and now with the way things are
politically, attention spans are that much shorter. Everything is going
crazy. Mother Nature is pissed off. Storms are happening
everywhere
and there are all of these wildfires. Shit is pissy right now. There is
a lot of fuckery going on and an album is not the thing that people are
going to be directing their attention to. So I'm just going ot release
cuts from the record slowly over time. Even I don't have the attention
span to release a full length album all at once. There are so many
things that I want people to pay attention to.
Is
that something you found to be true when you released the BAIT back in
2015?
That album was
covers and I was trying to get people excited for
this
album. I did that album because people would complain that I never did
any covers. So it was my way of saying "Okay! Here's a fucking album of
covers!" With that album, I didn't want people ot think that was all
that was coming. THE VILLAINESS is the album that is destined to come
out when I feel like it. It's all a part of the package. It's a part of
the same concept. It's both good and bad to be releasing things on this
kind of timetable because to me some of the songs sound old already
because I sat on them for a year or two. But in my opinion, it's the
only way to do it. I could've released the whole record last year, but
I
thought it would have done the album a disservice. It's too chaotic of
a
world and the album would get lost inthe craziness. Everyone thinks,
because you have more tools than ever to make music that you can put
things out faster these days and you can. You can make music on your
laptop or on your phone these days and you've got all kinds of people
with the means to make music and shining for attention at the same time
and that can be overwhelming as an artist who has actaully been doing
music since they were a child and actually gives a fuck about the
artform. There are a lot of vanity projects out there. That's cool for
anyone who wants to make a vanity project but it ends up watering down
the concept of making music. At least that's my opinion.
STORY
WiLL CONTiNUE FOLLOWiNG THE
ADVERTiSEMENT BELOW Who
all are you working with on THE VILLAINESS.
My
co-producer is MICHAEL WOLPE who is based out of a studio in Hollywood
called PAWNSHOP CREATIVE LABS. I had a friend of mine who had
worked with him. I had heard stuff that he had been producing and I
thought it would be interesting to see if he and I could work together,
and four albums later, I find that we do. He and I have a gret dynamic.
In the past I had a very hard time working with producers because I do
exactly what I want and know what I want things to sound like.
I
record demos in advance and bring them to the producer to make them
sound better, sharper and fuller. I'm very specific about what I want
and don't want. When I hand demos to a producer I'm asking them to
color it in becasue they have a wider palette of colors than I do. When
I bring it to MICHAEL, he makes everything sound better. Sometimes
we'll but heads over what he thinks something should sound like and we
end up recording it a bunch of different ways in order to
figure
out what will work best. I try to be as flexible as possible. It's all
about serving the song. Not my ego.
And
what about live shows?
In doing my solo thing, we
had been playing out hard and fast for a while, so I have taken a
little
break in order to finish up some recordings. I'm always interested in
recording more. As a matter of fact, I'm going to give you an exclusive
here. I just finished another EP called HISS. I finished it earlier
this year and I've just gotten into the mixing phase of it recently.
I'm getting it mixed here in New York by my friend NICK CIPRIANO. He's
worked with DEE SNYDER's band VAN HELSING'S CURSE. I'm in this place
now where I know what it takes to make MILITIA VOX work live. I don't
play live just to play live. I think of it like a Rolls Royce. You
don't take it out to drive to the store. If I want to play,
it
should be for something special. I've been lucky to play for some great
events. I'm being more precious about it. I know that's a bad thing,
but
we were playing out constantly and I think that was to our detriment.
I've become a more stingy lover.
Brian Lush is a music industry
professional and entrepreneur. In 2005 he launched the online music
site Rockwired.com to help promote new music artists in conjunction
with the weekly radio show Rockwired Live which aired on KTSTFM.COM
from 2005 - 2009. In 2010 He launched the daily podcast series
Rockwired Radio Profiles which features exclusive interviews and music.
He has also developed and produced the online radio shows Jazzed and
Blue - Profiles in Blues and Jazz, Aboriginal Sounds - A Celebration of
American Indian and First Nations Music, The Rockwired Rock N Roll
Mixtape Show and The Rockwired Artist of the Month Showcase. In 2012,
Brian Lush and his company Rockwired Media LLC launched the monthly
digital online publication Rockwired Magazine. The magazine attracts
over 75,000 readers a month and shows
no signs of stopping. Rockwired Magazine also bares the distinction
of being the first American Indian-owned rock magazine. Brian Lush is
an enrolled member of the Yankton Sioux Tribe. Brian Lush's background
in music journalism, radio and podcast hosting, podcast production, web
design, publicity, advertising sales, social media and online
marketing, strategic editorial planning and branding have all made
Rockwired a name that is trusted and respected throughout the
independent music industry.