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ROCK iS RED
PRESENTS AN EXCLUSiVE iNTERViEW WiTH LOGAN
STAATS REGARDiNG HiS
DEPARTURE FROM GHOST TOWN ORCHESTRA AND CUTS FROM HiS NEW CD
GOODBYE GOLDiA
What
is rock n roll without a little drama? The premiere edition of ROCK IS
RED MAGAZINE boasted that bomb-ass photo by DARKO of First Nations
rockers GHOST TOWN ORCHESTRA who were still high from their win at the
ABORIGINAL PEOPLES CHOICE MUSIC AWARDS (now called the INDIGENOUS MUSIC
AWARDS) for BEST ROCK BAND. Who better to have featured on our debut
cover? Within minutes of circulating the premiere issue in May of 2015,
We received an instant message from front man LOGAN STAATS informing us
that he was no longer with the band. It was a hell of a way for us to
launch our new magazine but the tensions that have driven STAATS out of
the front man position of GHOST TOWN ORCHESTRA and the tensions that
have arisen since his departure between him, the band and the record
label have made for one hell of a rock n roll blowout. Yet despite the
drama, LOGAN STAATS is making his voice heard as a solo artist with the
release of his solo album GOODBYE GOLDIA - a stripped down acoustic
affair that highlights STAATS' raspy howl and haunted prose.
ROCKWIRED
had a chance to speak with LOGAN regarding his new
music and his thoughts on his previous band. Here is how the interview
went.
Well
LOGAN it sounds like it's been a crazy few months for you. Your
former band GHOST TOWN ORCHESTRA was on the cover of the debut issue
of ROCK IS RED and the day we started circulating the magazine I got
an instant message form you telling me that you were no longer in the
band. Your departure was -needless to say - a surprise for me so talk
about what brought all of that about.
LOGAN
STAATS: It was a surprise for a lot of people. Basically the
people that I work with in my community down here funded everything
that GHOST TOWN ORCHESTRA ever did like our traveling and our
recording. They had run into some problems with the actual owners of
the record label that we had been working with. These guys are
personal friends of mine and they advised me that I needed to kind of
remove myself from the situation. I had to stay true to those people
that believe in me and have put all o this faith in me and time and
money into me. So I kind of had to stick with them. They had had a
falling out with the recording label that we were working with –
GUNNER RECORDINGS. It really sucked. VICTOR MARTISIUS is a really
good dude. I don't want to say anything bad about him .
He
is. I'll agree with you there.
LOGAN
STAATS: There is a lot of stuff that I can't talk about until
all
of this stuff is over. Just because VICTOR is really tight with the
record label. He's a session musician so he;s constantly at their
studio every day. He's a lot more personal with the guys at GUNNER
RECORDINGS than I am. I had creative differences with them from the
beginning. They didn't want me to do my own solo music and I've been
playing solo music around this town for over ten years. GHOST TOWN
ORCHESTRA was a fairly new thing to my music career. It was all
creative differences. Now it's a nightmare that you hear about in
the music industry that you never want to experience. with these
frickin' pirate record labels. Dealing with these people is scary
stuff. The people that I'm working with now are so organic about
it. I haven't signed a contract or anything like that. they have
completely taken me under their wing and they're just letting me
grow with out having their hand in my pocket. It's the complete
opposite. So when I started to experience that for myself I had
finally realized the myself and GHOST TOWN ORCHESTRA were in the
wrong place. Unfortunately they just didn't agree with me. My thing
to is that those songs - the lyrics that I wrote - I don't know if
those guys know anything of what those songs are about. It's hard to
explain those songs to them. So they're up there singing karaoke. I
saw them play the other and day and it just killed me to watch them
play these songs about my daughter and my demons and my break ups.
It's tough man! It's tough for me to take it all in and as of lately,
it's been tougher for me to take it all in.
So
they have new singer now?
LOGAN
STAATS: VICTOR is singing now. They guys is great singer but
a
lot of the instrumentation has been dumbed down now. Before the
guitar parts were very complex and to sing those play those parts at
the same time is probably a bit tricky for him. I think eventually
he'll get there. He'll be able to do that and carry the weight of a
band. I just don't know if it's going to be GHOST TOWN ORCHESTRA. I
just don't know if that's good move. Start something else. You guys
are great musicians. You're all brilliant dudes. It's like "Write
some songs!"
How
did this departure really go down though? Did any of the band reach
out to you afterwards?
LOGAN
STAATS: I had been working with DEREK MILLER a lot. He's kind
of
become a mentor to me. He was also signed to GUNNER RECORDINGS before
I knew DEREK on a personal level he was my hero growing up. When I
saw that he was signed to GUNNER RECORDINGS it was like "I trust
this label!" They also had STEVIE SALAS. With these guys they
have to be a reputable label. As soon as I signed the contract a
week later I got these emails from STEVIE and DEREK warning me that
the whole thing is a bad situation. Initially I kind of brushed it
off and then eventually I just became tighter with these dudes and
started hanging out with them on a regular basis and they started
explaining to me what they had gone through with GUNNER RECORDINGS
and it was very similar to my situation. Everyone who had invested
in GHOST TOWN ORCHESTRA had lost faith in the label and they pulled
all of their funds. I started to ask myself "What are these
guys doing for us?" You can't even get a GHOST TOWN ORCHESTRA CD
right now. You can't even buy one. They don't have any physical
copies. Same with the DEREK MILLER record. You can't even buy that
album. I just felt tied down and felt that it was time to move on. And
I did just that. I went to California and told the boys that
this is what I'm doing. I love making music with you guys and that
my door is always open but I can not put my hear and soul into
something with these guys standing behind.
And
I was so proud of you guys at the ABORIGINAL PEOPLES CHOICE MUSIC
AWARDS.
LOGAN
STAATS: A lot of people were really proud of me. I get
cynical
about it sometimes but I know that was a big part of what I was
doing and what I'm doing now. A lot of momentum was built off of
that whole experience and I was able to capture that with what I'm
doing on my own right now. I know that was a huge part of my success
as an artist and as much as it sucks and it hurts. I know that
everything happens for a reason and even now I'm in a way better
spot. I'm not struggling and starving anymore. And you know what? I
was actually thinking about reaching out the boys. I've been
contemplating it a lot and telling them to come away from the dark
side and come to the light. We've got an awesome facility here at
Six Nations.
Is
that JUKASA STUDIOS?
LOGAN
STAATS: Yes. I've got full audio support at JUKASA and video
support at another studio. I have all of these tools at my
fingertips that we never had with the last record label. So I'm
thinking about reaching out to the guys. When I went to see them at
The WT FESTIVAL and I didn't get a chance to talk to VICTOR. He was
hanging out with VIC FRANCO of GUNNER RECORDINGS. But the other two
guys PAUL and RYLAN came up to me and kicked it with me for a little
while. I guess the vibe on there end isn't the same.
Tell
me about the new music that you're about to release.
LOGAN
STAATS: Well I went down to California and did that LIVE OFF
THE
FLOOR record and that just dropped on June 21rst and I am
overwhelmed with how much support and how much positive feedback
that I've gotten form this record. I was kind of nervous because it's
live off of the floor and it's really raw but it's pulling it's
weight. it's been doing really good online and on SPOTIFY. It's
been doing awesome. I'm just getting ready to go out to BC on the
16th and play some shows and sell some CDs. and then I come home for
the PAN AM GAMES where I'll be doing the closing ceremony. I'm also
doing a really big show with BUFFY SAINTE MARIE that I'm really
really pumped about. I'm
super busy. The guys that have behind me now are really killing it.
This is on a different level.
You've
talked to me about everything that went into GHOST TOWN ORCHESTRA
before and really, all of this is sad to hear.
LOGAN
STAATS: You know, I didn't even listen to the CD for a long
time
because it made me sad.
But
I finally put it on last night and i was rocking out to it on the way
to Toronto. I started to miss it. While I like the intimate show I'm
starting to miss sweating all over people and trashing hotel rooms. I
don't know what you're going to see. I don't know if its' going to
be a rebirth of GHOST TOWN ORCHESTRA or a might just get something
else going and start rocking out on something else. I don't know
whats' going to come but I'll tell you I've got this beast inside me
that needs to be unleashed. I love the slow movement and the
intimate settings and the blushing girls but I wanna rock out and
party again.
I
hear what your saying. I'm sure your former band mates from GHOST
TOWN ORCHESTRA are gonna be reading this. Why wouldn't they?
LOGAN
STAATS: I hope so. Either way I wish them all the best. The
boys
in the band I never had a problem with. I love those guys to death.
Those are my brothers. Unfortunately I found myself butting heads
with the people that they work with and it just got really bad.
Hopefully once all of this is over I can reach out tho them but at
this point I have to stand my ground and stand by the people that
have invested all of this time in us. I really don't know what's
going to happen. I really don't even know if I should talk about it.
There is going to be a court case over it and I don't think that
they're going to be standing on the right side of the fence. I've
been told by my people that I'll be getting my music back so I'm
just waiting for all of this to blow over and see what happens and
try to rebuild any bridges that got burnt throughout this fucking
mess.
And
tell me what it is that you learned from this experience.
LOGAN
STAATS: Now I'm so cynical when it comes to any opportunity
that
may come my way. Right now everybody wants to talk to me about this
or that opportunity and I'm just so cynical about it. I just do my
homework. I really look for references from people. I really take my
time to research people and I listen to my gut. I kind of had a
weird feeling in my gut halfway through this whole endeavor and then
found myself really butting heads with some of the people working
there. I mean shouting matches. Music is such a spiritual thing and
I've just got to listen to my gut and listen to what the spirit is
telling me. You know how it is when you play music with someone and
it just clicks. It has to be the same way with the people that
you're working with. You have to have that kind of trust with the
team that is behind you.
What
would you like to say to your old band mates right now?
LOGAN
STAATS: I'd just like to tell them to keep on rocking and
hopefully we can play together one day.
In
the meantime you have this solo thing that's happening. You're not
exactly playing dead.
LOGAN
STAATS: No of course not. This year is going to be big.
Already
I'm playing bigger venues. I'll be playing some milestone venues and
I'll playing with people that I've always wanted to play with. You
enjoy the little things in this industry. I enjoy traveling around and
seeing new places and playing for new people. I could enjoy that
for the rest of my days and not think about anything else.
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BRiAN LUSH(FOUNDER, EDiTOR-iN-CHiEF)
Brian Lush is a music industry
professional and entrepreneur. In 2005 he launched the online music
site Rockwired.com to help promote new music artists in conjunction
with the weekly radio show Rockwired Live which aired on KTSTFM.COM
from 2005 - 2009. In 2010 He launched the daily podcast series
Rockwired Radio Profiles which features exclusive interviews and music.
He has also developed and produced the online radio shows Jazzed and
Blue - Profiles in Blues and Jazz, Aboriginal Sounds - A Celebration of
American Indian and First Nations Music, The Rockwired Rock N Roll
Mixtape Show and The Rockwired Artist of the Month Showcase. In 2012,
Brian Lush and his company Rockwired Media LLC launched the monthly
digital online magazine Brian Lush's Rockwired (formerly Rockwired
Magazine). The magazine attracts over 30,000 readers a month and shows
no signs of stopping. Brian Lush's Rockwired also bares the distinction
of being the first American Indian-owned rock magazine. Brian Lush is
an enrolled member of the Yankton Sioux Tribe. Brian Lush's background
in music journalism, radio and podcast hosting, podcast production, web
design, publicity, advertising sales, social media and online
marketing, strategic editorial planning and branding have all made
Rockwired a name that is trusted and respected throughout the
independent music industry.